"Yesterday I went to the doctor, to see about these dizzy spells. He told me I have developed what used to be called a heart, as if healthy people didn't have one. It seems I will not after all keep on living forever, merely getting smaller and greyer and dustier, like Sibyl in her bottle. Having long ago whispered I want to die, I now realize that this wish will indeed be fulfilled, and sooner rather than later. No matter that I've changed my mind about it."
"It snuck up on you, it grabbed hold of you before you knew it, and then there was nothing you could do. Once you were in it - in love - you would be swept away, regardless. Or so the books had it."
"The real danger comes from herself. What she'll allow, how far she's willing to go. But allowing and willing have nothing to do with it. Where she'll be pushed, then; where she'll be led. She hasn't examined her motives. There may not be any motives as such; desire is not a motive. It doesn't seem to her that she has any choice. Such extreme pleasure is also a humiliation. It's like being hauled along by a shameful rope, a leash around the neck. She resents it, her lack of freedom, and so she stretches out the time between, rationing him. She stands him up, fibs about why she couldn't make it - claims she didn't see the chalked markings on the park wall, didn't get the message - the new address of the non-existent dress shop, the postcard signed by an old friend she's never had, the telephone call for the wrong number.
But in the end, back she comes. There's no use resisting. She goes to him for amnesia, for oblivion. She renders herself up, is blotted out; enters the darkness of her own body, forgets her name. Immolation is what she wants, however briefly. To exist without boundaries."
I love the last one, especially.
"It snuck up on you, it grabbed hold of you before you knew it, and then there was nothing you could do. Once you were in it - in love - you would be swept away, regardless. Or so the books had it."
"The real danger comes from herself. What she'll allow, how far she's willing to go. But allowing and willing have nothing to do with it. Where she'll be pushed, then; where she'll be led. She hasn't examined her motives. There may not be any motives as such; desire is not a motive. It doesn't seem to her that she has any choice. Such extreme pleasure is also a humiliation. It's like being hauled along by a shameful rope, a leash around the neck. She resents it, her lack of freedom, and so she stretches out the time between, rationing him. She stands him up, fibs about why she couldn't make it - claims she didn't see the chalked markings on the park wall, didn't get the message - the new address of the non-existent dress shop, the postcard signed by an old friend she's never had, the telephone call for the wrong number.
But in the end, back she comes. There's no use resisting. She goes to him for amnesia, for oblivion. She renders herself up, is blotted out; enters the darkness of her own body, forgets her name. Immolation is what she wants, however briefly. To exist without boundaries."
I love the last one, especially.